Julie Martin Oral History Transcript Block 207 (Q20075): Difference between revisions
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Q: The way he narrates it in the pieces Ive seen is that Rauschenberg was in the habit of dropping in to see how their work on the Homage to New York, which they were building in the in the garden of MoMA, [was progressing]. My impression from the way he wrote it was that Rauschenberg knew Tinguely and so came by to see their work on this thing and then met the guy who was the engineer who was h | |||
| Property / block text: Q: The way he narrates it in the pieces Ive seen is that Rauschenberg was in the habit of dropping in to see how their work on the Homage to New York, which they were building in the in the garden of MoMA, [was progressing]. My impression from the way he wrote it was that Rauschenberg knew Tinguely and so came by to see their work on this thing and then met the guy who was the engineer who was h / rank | |||
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| Property / block text URL: https://semlab.s3.amazonaws.com/texts/107f457588c6f5c479ee20e34e158f27/207.txt / rank | |||
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207 | |||
| Property / local ID: 207 / rank | |||
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| Property / associated entities: Robert Rauschenberg / rank | |||
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| Property / associated entities: Jean Tinguely / rank | |||
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| Property / associated entities: Museum of Modern Art / rank | |||
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| Property / associated entities: Homage to New York / rank | |||
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| Property / source: Julie Martin / rank | |||
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Q | |||
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Latest revision as of 16:38, 21 May 2020
No description defined
| Language | Label | Description | Also known as |
|---|---|---|---|
| English | Julie Martin Oral History Transcript Block 207 |
No description defined |
Statements
Q: The way he narrates it in the pieces Ive seen is that Rauschenberg was in the habit of dropping in to see how their work on the Homage to New York, which they were building in the in the garden of MoMA, [was progressing]. My impression from the way he wrote it was that Rauschenberg knew Tinguely and so came by to see their work on this thing and then met the guy who was the engineer who was h
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207
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Q
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