Julie Martin Oral History Transcript Block 318 (Q20187): Difference between revisions

From Semantic Lab
Jump to navigation Jump to search
(‎Created claim: part of project (P11): E.A.T. + LOD Project (Q19104), Batch load by XXXXX to do XXXXX)
(‎Created claim: legacy Linked Jazz block type (P18): A, Batch load by XXXXX to do XXXXX)
 
(7 intermediate revisions by the same user not shown)
Property / block text
 
Martin: We were never really that [well-]funded. I remember that the Rockefeller Brothers Fund turned E.A.T. down for a second grant because we served all artists who came to us. They thought we should be more selective. Another fundraising thing we tried to do was industrial memberships, so we got some money from that.
Property / block text: Martin: We were never really that [well-]funded. I remember that the Rockefeller Brothers Fund turned E.A.T. down for a second grant because we served all artists who came to us. They thought we should be more selective. Another fundraising thing we tried to do was industrial memberships, so we got some money from that. / rank
 
Normal rank
Property / block text URL
 
Property / block text URL: https://semlab.s3.amazonaws.com/texts/107f457588c6f5c479ee20e34e158f27/318.txt / rank
 
Normal rank
Property / local ID
 
318
Property / local ID: 318 / rank
 
Normal rank
Property / associated entities
 
Property / associated entities: Experiments in Art and Technology / rank
 
Normal rank
Property / associated entities
 
Property / associated entities: Rockefeller Brothers Fund / rank
 
Normal rank
Property / source
 
Property / source: Julie Martin / rank
 
Normal rank
Property / speaker in block
 
Property / speaker in block: Julie Martin / rank
 
Normal rank
Property / legacy Linked Jazz block type
 
A
Property / legacy Linked Jazz block type: A / rank
 
Normal rank

Latest revision as of 16:42, 21 May 2020

No description defined
Language Label Description Also known as
English
Julie Martin Oral History Transcript Block 318
No description defined

    Statements

    0 references
    Martin: We were never really that [well-]funded. I remember that the Rockefeller Brothers Fund turned E.A.T. down for a second grant because we served all artists who came to us. They thought we should be more selective. Another fundraising thing we tried to do was industrial memberships, so we got some money from that.
    0 references
    318
    0 references
    0 references