Julie Martin Oral History Transcript Block 414 (Q20291): Difference between revisions
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Martin: Number one, theres not that big ofwell, there was, between, say, dancers and artists. I mean, artists had made sets for dancers. That kind of collaborating on a projectthe project of the dance. Bob says he was forced into being a choreographer only because of the mistake on the announcementhe asked first Per Olof Ultvedt, who was a Swedish sculptor visiting New York, and then Alex Hay | |||
| Property / block text: Martin: Number one, theres not that big ofwell, there was, between, say, dancers and artists. I mean, artists had made sets for dancers. That kind of collaborating on a projectthe project of the dance. Bob says he was forced into being a choreographer only because of the mistake on the announcementhe asked first Per Olof Ultvedt, who was a Swedish sculptor visiting New York, and then Alex Hay / rank | |||
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| Property / block text URL: https://semlab.s3.amazonaws.com/texts/107f457588c6f5c479ee20e34e158f27/414.txt / rank | |||
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414 | |||
| Property / local ID: 414 / rank | |||
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| Property / associated entities: Robert Rauschenberg / rank | |||
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| Property / associated entities: Alex Hay / rank | |||
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| Property / associated entities: Carolyn Brown / rank | |||
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| Property / associated entities: Black Mountain College / rank | |||
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| Property / source: Julie Martin / rank | |||
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| Property / speaker in block: Julie Martin / rank | |||
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A | |||
| Property / legacy Linked Jazz block type: A / rank | |||
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Latest revision as of 16:46, 21 May 2020
No description defined
| Language | Label | Description | Also known as |
|---|---|---|---|
| English | Julie Martin Oral History Transcript Block 414 |
No description defined |
Statements
Martin: Number one, theres not that big ofwell, there was, between, say, dancers and artists. I mean, artists had made sets for dancers. That kind of collaborating on a projectthe project of the dance. Bob says he was forced into being a choreographer only because of the mistake on the announcementhe asked first Per Olof Ultvedt, who was a Swedish sculptor visiting New York, and then Alex Hay
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414
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A
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