Toshiko Akiyoshi Smithsonian Interview Block 652 (Q18605)

From Semantic Lab
Revision as of 19:49, 24 May 2023 by SAA (talk | contribs) (‎Removed claim: part of project (P11): Linked Jazz Project (Q2), #quickstatements; #temporary_batch_1684957231541)
(diff) ← Older revision | Latest revision (diff) | Newer revision → (diff)
Jump to navigation Jump to search
No description defined
Language Label Description Also known as
English
Toshiko Akiyoshi Smithsonian Interview Block 652
No description defined

    Statements

    0 references
    652
    0 references
    Yugoslavia. So things like that had a lot to do with it. But also his music, you know, he was ... more, becoming more, more and more like a universal (?? ), so on. I realized my thinking was so shallow, and so.... He really um ... highly ... thought of me as, some of the music that I have, like "Kogun," for example, or "Minamata".... You know, he actually used "Kogun" as material, teaching mat ...
    0 references
    0 references
    0 references
    0 references