Julie Martin Oral History Transcript Block 438 (Q20316)

Martin: No. No. But someone like Per Biorn loved working with artists every chance he got. Later in the eighties and nineties, he was instrumental in renovating Rauschenbergs pieces that incorporated technology, Dry Cell [1963], Oracle, Soundings. He worked with Bob R. and worked with other artists but his life was in engineering and his engineering job. You really didnt have to understand the