Toshiko Akiyoshi Smithsonian Interview Block 704 (Q18657): Difference between revisions
Jump to navigation
Jump to search
(Created a new Item: person load) |
(Removed claim: part of project (P11): Linked Jazz Project (Q2), #quickstatements; #temporary_batch_1684957231541) |
||
(One intermediate revision by one other user not shown) | |||
Property / part of project | |||
Property / part of project: Linked Jazz Project / rank | |||
Property / part of project | |||
Property / part of project: Linked Jazz Oral History Network / rank | |||
Normal rank |
Latest revision as of 19:49, 24 May 2023
No description defined
Language | Label | Description | Also known as |
---|---|---|---|
English | Toshiko Akiyoshi Smithsonian Interview Block 704 |
No description defined |
Statements
704
0 references
A
0 references
But twice we had real players, in Japan. That was a luxury. And also here at the concert ... uh, uh ... the one time was at Carnegie Hall (recorded and released as Carnegie Hall Concert by Columbia in 1991), and then another time at Sankei Hall in Japan, they had a real player. But most of the time, for example, we used to play every Monday night at Birdland in New York, and every Monday night ...
0 references