John Levy Smithsonian Interview Block 568 (Q15517): Difference between revisions
Jump to navigation
Jump to search
(Created a new Item: person load) |
(Removed claim: part of project (P11): Linked Jazz Project (Q2), #quickstatements; #temporary_batch_1684958143367) |
||
| (One intermediate revision by one other user not shown) | |||
| Property / part of project | |||
| Property / part of project: Linked Jazz Project / rank | |||
| Property / part of project | |||
| Property / part of project: Linked Jazz Oral History Network / rank | |||
Normal rank | |||
Latest revision as of 20:08, 24 May 2023
No description defined
| Language | Label | Description | Also known as |
|---|---|---|---|
| English | John Levy Smithsonian Interview Block 568 |
No description defined |
Statements
568
0 references
A
0 references
Most of the bands, members of the rhythm section - except the pianist, who in most cases was the leader - got less money than the soloists, than, say, like Johnny Hodges was - I think was the highest paid in the alto section. Then came Carney - Harry Carney. Everybody else made less money than these top soloists. These were the main soloists. Lawrence Brown was on trombone. Your key men, like ...
0 references