Roy Eldridge University of Michigan Interview Block 114 (Q9982): Difference between revisions
Jump to navigation
Jump to search
(Created claim: part of project (P11): Linked Jazz Oral History Network (Q21217), #quickstatements; #temporary_batch_1613680937105) |
(Removed claim: part of project (P11): Linked Jazz Project (Q2), #quickstatements; #temporary_batch_1684965719294) |
||
| Property / part of project | |||
| Property / part of project: Linked Jazz Project / rank | |||
Latest revision as of 22:17, 24 May 2023
No description defined
| Language | Label | Description | Also known as |
|---|---|---|---|
| English | Roy Eldridge University of Michigan Interview Block 114 |
No description defined |
Statements
114
0 references
A
0 references
No, there were royalties it it was your tune, For instance, one of my tunes now that I get money from now but that it is a thousand years too late, was "Drum Boogie", that I wrote for Gene Krupa. I get a little taste off of that now, but I should have got a taste way back when and I would have been straight on that, just that one alone. Prof. S...at that time the contract wasn't drawn up in su ...
0 references