Roy Eldridge University of Michigan Interview Block 123 (Q9991): Difference between revisions
Jump to navigation
Jump to search
(Created a new Item: person load) |
(Removed claim: part of project (P11): Linked Jazz Project (Q2), #quickstatements; #temporary_batch_1684965719294) |
||
| (One intermediate revision by one other user not shown) | |||
| Property / part of project | |||
| Property / part of project: Linked Jazz Project / rank | |||
| Property / part of project | |||
| Property / part of project: Linked Jazz Oral History Network / rank | |||
Normal rank | |||
Latest revision as of 22:17, 24 May 2023
No description defined
| Language | Label | Description | Also known as |
|---|---|---|---|
| English | Roy Eldridge University of Michigan Interview Block 123 |
No description defined |
Statements
123
0 references
A
0 references
Well, to write any tunes, the first thing get it copyrighted. Next thing is if the publisher wants to take it, make sure that you have the right kind of thing that you, get the right kind of royalties, you understand what I mean. That's about all you can tell them about. This you have to do. First of all, what messes up a young person when the are writing a tune is the fact that they are going ...
0 references