Julie Martin Oral History Transcript Block 328 (Q20200): Difference between revisions
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| Property / parent document: Julie Martin Oral History Transcript / rank | |||
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Martin: We were working on it with Honeywell Bull and even made a prototype. We applied to the Ford Foundation for funding for the Artists Matching Program [Matching Artist and Engineer Service, 1966]a very elaborate proposal with provisions for following up and collecting information on the collaborationsbut we were turned down. Even after the mid-seventies when funding became scarce and E.A.T | |||
| Property / block text: Martin: We were working on it with Honeywell Bull and even made a prototype. We applied to the Ford Foundation for funding for the Artists Matching Program [Matching Artist and Engineer Service, 1966]a very elaborate proposal with provisions for following up and collecting information on the collaborationsbut we were turned down. Even after the mid-seventies when funding became scarce and E.A.T / rank | |||
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328 | |||
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| Property / associated entities: Billy Klüver / rank | |||
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| Property / associated entities: Robert Rauschenberg / rank | |||
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| Property / associated entities: Robert Whitman / rank | |||
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| Property / associated entities: Robert Breer / rank | |||
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| Property / associated entities: Experiments in Art and Technology / rank | |||
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Latest revision as of 02:18, 11 February 2024
No description defined
| Language | Label | Description | Also known as |
|---|---|---|---|
| English | Julie Martin Oral History Transcript Block 328 |
No description defined |
Statements
Martin: We were working on it with Honeywell Bull and even made a prototype. We applied to the Ford Foundation for funding for the Artists Matching Program [Matching Artist and Engineer Service, 1966]a very elaborate proposal with provisions for following up and collecting information on the collaborationsbut we were turned down. Even after the mid-seventies when funding became scarce and E.A.T
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328
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Q19507 (Deleted Item)
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A
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