Julie Martin Oral History Transcript Block 278 (Q20147): Difference between revisions
Jump to navigation
Jump to search
(Removed claim: legacy Linked Jazz block type (P18): A, #quickstatements; #temporary_batch_1734062889205) |
(Removed claim: parent document (P24): Julie Martin Oral History Transcript (Q19868), #quickstatements; #temporary_batch_1734065117975) |
||
(4 intermediate revisions by the same user not shown) | |||
Property / parent document | |||
Property / parent document: Julie Martin Oral History Transcript / rank | |||
Property / block text URL | |||
Property / block text URL: https://semlab.s3.amazonaws.com/texts/107f457588c6f5c479ee20e34e158f27/278.txt / rank | |||
Property / associated entities | |||
Property / associated entities: Carolee Schneemann / rank | |||
Property / associated entities | |||
Property / associated entities: Max Neuhaus / rank | |||
Property / associated entities | |||
Property / associated entities: 9 Evenings: Theatre and Engineering / rank | |||
Latest revision as of 04:46, 13 December 2024
No description defined
Language | Label | Description | Also known as |
---|---|---|---|
English | Julie Martin Oral History Transcript Block 278 |
No description defined |
Statements
Martin: No. Just mainly equipment that had been built for 9 Evenings was stored there. Other artists were able to use this equipment. I know Carolee Schneemann used some of the equipment for her performance, Snows [1967]. I remember Max Neuhaus also did something with the equipment.
0 references