Julie Martin Oral History Transcript Block 356 (Q20223): Difference between revisions
Jump to navigation
Jump to search
(Created claim: instance of (P1): block (Q2013), Batch load by XXXXX to do XXXXX) |
(Created claim: legacy Linked Jazz block type (P18): A, Batch load by XXXXX to do XXXXX) |
||
| (7 intermediate revisions by the same user not shown) | |||
| Property / parent document | |||
| Property / parent document: Julie Martin Oral History Transcript / rank | |||
Normal rank | |||
| Property / part of project | |||
| Property / part of project: E.A.T. Knowledge Graph Project / rank | |||
Normal rank | |||
| Property / block text | |||
Martin: I think so. It seemed nobody understood about it. Maybe to people in the field it just was too different. Maybe it just seemed amateurish, or there was skepticism about trusting an artist. Who knows? Who knows why you got turned down? | |||
| Property / block text: Martin: I think so. It seemed nobody understood about it. Maybe to people in the field it just was too different. Maybe it just seemed amateurish, or there was skepticism about trusting an artist. Who knows? Who knows why you got turned down? / rank | |||
Normal rank | |||
| Property / block text URL | |||
| Property / block text URL: https://semlab.s3.amazonaws.com/texts/107f457588c6f5c479ee20e34e158f27/356.txt / rank | |||
Normal rank | |||
| Property / local ID | |||
356 | |||
| Property / local ID: 356 / rank | |||
Normal rank | |||
| Property / source | |||
| Property / source: Julie Martin / rank | |||
Normal rank | |||
| Property / speaker in block | |||
| Property / speaker in block: Julie Martin / rank | |||
Normal rank | |||
| Property / legacy Linked Jazz block type | |||
A | |||
| Property / legacy Linked Jazz block type: A / rank | |||
Normal rank | |||
Latest revision as of 16:44, 21 May 2020
No description defined
| Language | Label | Description | Also known as |
|---|---|---|---|
| English | Julie Martin Oral History Transcript Block 356 |
No description defined |
Statements
Martin: I think so. It seemed nobody understood about it. Maybe to people in the field it just was too different. Maybe it just seemed amateurish, or there was skepticism about trusting an artist. Who knows? Who knows why you got turned down?
0 references
356
0 references
A
0 references