Julie Martin Oral History Transcript Block 424 (Q20296): Difference between revisions
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(Created claim: parent document (P24): Julie Martin Oral History Transcript (Q19868), Batch load by XXXXX to do XXXXX) |
(Created claim: legacy Linked Jazz block type (P18): A, Batch load by XXXXX to do XXXXX) |
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Martin: Yes. How the hell did it work? This is the thing thats so interesting about oral history, right? Youve done the same narrative and the same level. But you have to go, How do you get deeper to facts and to more detail? How do you get more detail? What ends up getting lost in history? Who knows? I think the boundaries were still there. The radical boundaries were the ones within art. I | |||
| Property / block text: Martin: Yes. How the hell did it work? This is the thing thats so interesting about oral history, right? Youve done the same narrative and the same level. But you have to go, How do you get deeper to facts and to more detail? How do you get more detail? What ends up getting lost in history? Who knows? I think the boundaries were still there. The radical boundaries were the ones within art. I / rank | |||
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| Property / block text URL: https://semlab.s3.amazonaws.com/texts/107f457588c6f5c479ee20e34e158f27/424.txt / rank | |||
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424 | |||
| Property / local ID: 424 / rank | |||
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| Property / associated entities: Liz Lerman / rank | |||
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| Property / source: Julie Martin / rank | |||
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| Property / speaker in block: Julie Martin / rank | |||
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A | |||
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Latest revision as of 16:46, 21 May 2020
No description defined
| Language | Label | Description | Also known as |
|---|---|---|---|
| English | Julie Martin Oral History Transcript Block 424 |
No description defined |
Statements
Martin: Yes. How the hell did it work? This is the thing thats so interesting about oral history, right? Youve done the same narrative and the same level. But you have to go, How do you get deeper to facts and to more detail? How do you get more detail? What ends up getting lost in history? Who knows? I think the boundaries were still there. The radical boundaries were the ones within art. I
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