Julie Martin Oral History Transcript Block 575 (Q20444): Difference between revisions
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| Property / parent document: Julie Martin Oral History Transcript / rank | |||
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Q: So the origin of one part of 9 Evenings. One thing that occurs to me is, do you think that the presence of dancersso many of the choreographers and performers crucial to what becomes the Judson scene in the early sixties are so close to this group of visual artists, of sculptors, and painters. Do you think that had a serious impact? And Simoneits partly that some people are together but par | |||
| Property / block text: Q: So the origin of one part of 9 Evenings. One thing that occurs to me is, do you think that the presence of dancersso many of the choreographers and performers crucial to what becomes the Judson scene in the early sixties are so close to this group of visual artists, of sculptors, and painters. Do you think that had a serious impact? And Simoneits partly that some people are together but par / rank | |||
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575 | |||
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| Property / associated entities: Simone Forti / rank | |||
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| Property / associated entities: 9 Evenings: Theatre and Engineering / rank | |||
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| Property / associated entities: Igor Stravinsky / rank | |||
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| Property / associated entities: Ballets Russes / rank | |||
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| Property / source: Julie Martin / rank | |||
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Latest revision as of 16:52, 21 May 2020
No description defined
| Language | Label | Description | Also known as |
|---|---|---|---|
| English | Julie Martin Oral History Transcript Block 575 |
No description defined |
Statements
Q: So the origin of one part of 9 Evenings. One thing that occurs to me is, do you think that the presence of dancersso many of the choreographers and performers crucial to what becomes the Judson scene in the early sixties are so close to this group of visual artists, of sculptors, and painters. Do you think that had a serious impact? And Simoneits partly that some people are together but par
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