Julie Martin Oral History Transcript Block 581 (Q20449): Difference between revisions
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(Created claim: block text (P19): Q: Another way to narrate it would be to say that it originates in Black Mountain and that kind of cross-media collaboration that is so prevalent in that space in the fifties. And even more specifically, you could argue that it comes out of a Cage-Cunningham aesthetic. I wondered whether either of thosewhether you would say that this kind of cross-fertilization originates with the Black Mountain, Batch load by XXXXX to do XXXXX) |
(Created claim: legacy Linked Jazz block type (P18): Q, Batch load by XXXXX to do XXXXX) |
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| Property / associated entities: Robert Rauschenberg / rank | |||
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| Property / associated entities: Merce Cunningham / rank | |||
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| Property / associated entities: Andy Warhol / rank | |||
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| Property / associated entities: John Cage / rank | |||
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| Property / associated entities: Black Mountain College / rank | |||
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| Property / source: Julie Martin / rank | |||
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Latest revision as of 16:52, 21 May 2020
No description defined
| Language | Label | Description | Also known as |
|---|---|---|---|
| English | Julie Martin Oral History Transcript Block 581 |
No description defined |
Statements
Q: Another way to narrate it would be to say that it originates in Black Mountain and that kind of cross-media collaboration that is so prevalent in that space in the fifties. And even more specifically, you could argue that it comes out of a Cage-Cunningham aesthetic. I wondered whether either of thosewhether you would say that this kind of cross-fertilization originates with the Black Mountain
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