Louie Bellson Smithsonian Interview Block 739 (Q11535): Difference between revisions
Jump to navigation
Jump to search
(Created a new Item: person load) |
(Removed claim: part of project (P11): Linked Jazz Project (Q2), #quickstatements; #temporary_batch_1684960382159) |
||
| (One intermediate revision by one other user not shown) | |||
| Property / part of project | |||
| Property / part of project: Linked Jazz Project / rank | |||
| Property / part of project | |||
| Property / part of project: Linked Jazz Oral History Network / rank | |||
Normal rank | |||
Latest revision as of 20:49, 24 May 2023
No description defined
| Language | Label | Description | Also known as |
|---|---|---|---|
| English | Louie Bellson Smithsonian Interview Block 739 |
No description defined |
Statements
739
0 references
A
0 references
I think he - the only one he confided in was Billy Strayhorn, because he knew Billy Strayhorn was going to be exactly like what he's thinking too. So when they did His Mother Called Him Billy Billy Strayhorn, Duke Ellington had a hand in that too, but he gave all the credit to Billy Strayhorn. I think Duke Ellington masterminded the whole thing. He was the perfect conductor too, because he let ...
0 references