Abbey Lincoln Smithsonian Interview Block 119 (Q11877): Difference between revisions
Jump to navigation
Jump to search
(Created a new Item: person load) |
(Removed claim: part of project (P11): Linked Jazz Project (Q2), #quickstatements; #temporary_batch_1684805409286) |
||
| (2 intermediate revisions by 2 users not shown) | |||
| Property / part of project | |||
| Property / part of project: Linked Jazz Project / rank | |||
| Property / associated entities | Property / associated entities | ||
| Property / part of project | |||
| Property / part of project: Linked Jazz Oral History Network / rank | |||
Normal rank | |||
Latest revision as of 01:32, 23 May 2023
No description defined
| Language | Label | Description | Also known as |
|---|---|---|---|
| English | Abbey Lincoln Smithsonian Interview Block 119 |
No description defined |
Statements
119
0 references
A
0 references
Well, a lot of singers have them today. They sound like everybody else. Little trills and things that they do. It's not theirs. Aretha Franklin made an impression on these women. I mean, Aretha Franklin is a master at this. She doesn't like sound anybody. Neither did Mahalia Jackson. But after Aretha Franklin, I mean, I can't tell who any of them are. I don't mean to be unkind, but it's true. ...
0 references