Abbey Lincoln Smithsonian Interview Block 178 (Q11936): Difference between revisions
Jump to navigation
Jump to search
(Created a new Item: person load) |
(Removed claim: part of project (P11): Linked Jazz Project (Q2), #quickstatements; #temporary_batch_1684805409286) |
||
| (One intermediate revision by one other user not shown) | |||
| Property / part of project | |||
| Property / part of project: Linked Jazz Project / rank | |||
| Property / part of project | |||
| Property / part of project: Linked Jazz Oral History Network / rank | |||
Normal rank | |||
Latest revision as of 01:33, 23 May 2023
No description defined
| Language | Label | Description | Also known as |
|---|---|---|---|
| English | Abbey Lincoln Smithsonian Interview Block 178 |
No description defined |
Statements
178
0 references
Q
0 references
Why don't we maybe get back to you coming to New York and some of that because that was such a rich community that you came into when you came out to New York in the late '50s? You had -- Max had already heard you sing in L.A., but when you got to New York, there was a circle of young artists.
0 references