Block 16 of The Story of E.A.T. (pp.1-30) (Q24650): Difference between revisions
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Akaplan1925 (talk | contribs) (Changed [en] label: Block 16 of The Story of E.A.T. Part I, #quickstatements; #temporary_batch_1714786991493) |
Akaplan1925 (talk | contribs) (Changed [en] label: Block 16 of The Story of E.A.T. (pp.1-30)) |
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Block 16 of The Story of E.A.T. | Block 16 of The Story of E.A.T. (pp.1-30) | ||
Latest revision as of 22:12, 7 June 2024
Block 16 of Story of E.A.T. Part I
| Language | Label | Description | Also known as |
|---|---|---|---|
| English | Block 16 of The Story of E.A.T. (pp.1-30) |
Block 16 of Story of E.A.T. Part I |
Statements
16
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By 1965, interest among the artists in using technology had grown, and many of the artists who had performed together at Judson Church and other spaces in New York expressed a desire to stage large-scale performances. Bob Rauschenberg and I organized a group of artists to work together with engineers on a series of performances involving new technology. The group included John Cage, Lucind...
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