Julie Martin Oral History Transcript Block 280 (Q20155): Difference between revisions
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| Property / parent document: Julie Martin Oral History Transcript / rank | |||
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Martin: No, I dont think so. There was a conscious decision not to have an E.A.T. laboratory because Billy and Fred thought it could not serve the variety of artists needs and it would become outdated very quickly. So the emphasis was on recruiting engineers working in industry and industrial laboratories to work with artists. Thus the artists would be in touch with people working with up-to-da | |||
| Property / block text: Martin: No, I dont think so. There was a conscious decision not to have an E.A.T. laboratory because Billy and Fred thought it could not serve the variety of artists needs and it would become outdated very quickly. So the emphasis was on recruiting engineers working in industry and industrial laboratories to work with artists. Thus the artists would be in touch with people working with up-to-da / rank | |||
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| Property / block text URL: https://semlab.s3.amazonaws.com/texts/107f457588c6f5c479ee20e34e158f27/280.txt / rank | |||
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280 | |||
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| Property / associated entities: Billy Klüver / rank | |||
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| Property / associated entities: Fred D. Waldhauer / rank | |||
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| Property / associated entities: Ralph Flynn / rank | |||
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| Property / associated entities: 9 Evenings: Theatre and Engineering / rank | |||
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| Property / associated entities: Experiments in Art and Technology / rank | |||
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| Property / source: Julie Martin / rank | |||
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| Property / speaker in block: Julie Martin / rank | |||
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A | |||
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Latest revision as of 16:41, 21 May 2020
No description defined
| Language | Label | Description | Also known as |
|---|---|---|---|
| English | Julie Martin Oral History Transcript Block 280 |
No description defined |
Statements
Martin: No, I dont think so. There was a conscious decision not to have an E.A.T. laboratory because Billy and Fred thought it could not serve the variety of artists needs and it would become outdated very quickly. So the emphasis was on recruiting engineers working in industry and industrial laboratories to work with artists. Thus the artists would be in touch with people working with up-to-da
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280
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A
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