Julie Martin Oral History Transcript Block 322 (Q20197): Difference between revisions
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(Changed claim: associated entities (P21): Pontus Hultén (Q20514)) |
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| Property / parent document: Julie Martin Oral History Transcript / rank | |||
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Martin: The feasibility study for the outdoor screen for Centre Pompidou was much later 197576. And, like several of the E.A.T. projects over the years, it developed out of a dialogue between Billy and Pontus. Pontus, in about 1973, had gone to Paris to develop the Muse National dArt Moderne for the Centre Georges Pompidou. One of the ideas of the architects Renzo Piano and Richard Rogers, w | |||
| Property / block text: Martin: The feasibility study for the outdoor screen for Centre Pompidou was much later 197576. And, like several of the E.A.T. projects over the years, it developed out of a dialogue between Billy and Pontus. Pontus, in about 1973, had gone to Paris to develop the Muse National dArt Moderne for the Centre Georges Pompidou. One of the ideas of the architects Renzo Piano and Richard Rogers, w / rank | |||
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322 | |||
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| Property / associated entities: Billy Klüver / rank | |||
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| Property / associated entities: Fred D. Waldhauer / rank | |||
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| Property / associated entities: Ralph Flynn / rank | |||
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| Property / associated entities: Experiments in Art and Technology / rank | |||
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| Property / associated entities: Richard Rogers / rank | |||
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| Property / associated entities: Pontus Hultén / rank | |||
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| Property / associated entities: Peter Poole / rank | |||
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| Property / associated entities: Centre Pompidou / rank | |||
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| Property / associated entities: Renzo Piano / rank | |||
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| Property / associated entities: Ford Aerospace / rank | |||
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| Property / source: Julie Martin / rank | |||
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| Property / speaker in block: Julie Martin / rank | |||
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A | |||
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Latest revision as of 00:00, 18 July 2022
No description defined
| Language | Label | Description | Also known as |
|---|---|---|---|
| English | Julie Martin Oral History Transcript Block 322 |
No description defined |
Statements
Martin: The feasibility study for the outdoor screen for Centre Pompidou was much later 197576. And, like several of the E.A.T. projects over the years, it developed out of a dialogue between Billy and Pontus. Pontus, in about 1973, had gone to Paris to develop the Muse National dArt Moderne for the Centre Georges Pompidou. One of the ideas of the architects Renzo Piano and Richard Rogers, w
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322
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A
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