Julie Martin Oral History Transcript Block 322 (Q20197): Difference between revisions
Jump to navigation
Jump to search
(Created claim: part of project (P11): E.A.T. Knowledge Graph Project (Q19104), Batch load by XXXXX to do XXXXX) |
(Changed claim: associated entities (P21): Pontus Hultén (Q20514)) |
||
| (16 intermediate revisions by one other user not shown) | |||
| Property / block text | |||
Martin: The feasibility study for the outdoor screen for Centre Pompidou was much later 197576. And, like several of the E.A.T. projects over the years, it developed out of a dialogue between Billy and Pontus. Pontus, in about 1973, had gone to Paris to develop the Muse National dArt Moderne for the Centre Georges Pompidou. One of the ideas of the architects Renzo Piano and Richard Rogers, w | |||
| Property / block text: Martin: The feasibility study for the outdoor screen for Centre Pompidou was much later 197576. And, like several of the E.A.T. projects over the years, it developed out of a dialogue between Billy and Pontus. Pontus, in about 1973, had gone to Paris to develop the Muse National dArt Moderne for the Centre Georges Pompidou. One of the ideas of the architects Renzo Piano and Richard Rogers, w / rank | |||
Normal rank | |||
| Property / block text URL | |||
| Property / block text URL: https://semlab.s3.amazonaws.com/texts/107f457588c6f5c479ee20e34e158f27/322.txt / rank | |||
Normal rank | |||
| Property / local ID | |||
322 | |||
| Property / local ID: 322 / rank | |||
Normal rank | |||
| Property / associated entities | |||
| Property / associated entities: Billy Klüver / rank | |||
Normal rank | |||
| Property / associated entities | |||
| Property / associated entities: Fred D. Waldhauer / rank | |||
Normal rank | |||
| Property / associated entities | |||
| Property / associated entities: Ralph Flynn / rank | |||
Normal rank | |||
| Property / associated entities | |||
| Property / associated entities: Experiments in Art and Technology / rank | |||
Normal rank | |||
| Property / associated entities | |||
| Property / associated entities: Richard Rogers / rank | |||
Normal rank | |||
| Property / associated entities | |||
| Property / associated entities: Pontus Hultén / rank | |||
Normal rank | |||
| Property / associated entities | |||
| Property / associated entities: Peter Poole / rank | |||
Normal rank | |||
| Property / associated entities | |||
| Property / associated entities: Centre Pompidou / rank | |||
Normal rank | |||
| Property / associated entities | |||
| Property / associated entities: Renzo Piano / rank | |||
Normal rank | |||
| Property / associated entities | |||
| Property / associated entities: Ford Aerospace / rank | |||
Normal rank | |||
| Property / source | |||
| Property / source: Julie Martin / rank | |||
Normal rank | |||
| Property / speaker in block | |||
| Property / speaker in block: Julie Martin / rank | |||
Normal rank | |||
| Property / legacy Linked Jazz block type | |||
A | |||
| Property / legacy Linked Jazz block type: A / rank | |||
Normal rank | |||
Latest revision as of 00:00, 18 July 2022
No description defined
| Language | Label | Description | Also known as |
|---|---|---|---|
| English | Julie Martin Oral History Transcript Block 322 |
No description defined |
Statements
Martin: The feasibility study for the outdoor screen for Centre Pompidou was much later 197576. And, like several of the E.A.T. projects over the years, it developed out of a dialogue between Billy and Pontus. Pontus, in about 1973, had gone to Paris to develop the Muse National dArt Moderne for the Centre Georges Pompidou. One of the ideas of the architects Renzo Piano and Richard Rogers, w
0 references
322
0 references
A
0 references