Julie Martin Oral History Transcript Block 386 (Q20256): Difference between revisions
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(Created claim: parent document (P24): Julie Martin Oral History Transcript (Q19868), Batch load by XXXXX to do XXXXX) |
(Created claim: legacy Linked Jazz block type (P18): A, Batch load by XXXXX to do XXXXX) |
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Martin: Yes, I think Billy was very sensitive to this. To Per Biorn, it didnt seem to make any difference. Were just scanning the stations. But to Bob, somehow, he knew the noise between stations was something he wantedsomething he liked. It was an aesthetic decision as opposed to a purely technical one. When Billy was working with artists, he would try not to take anything for granted in that | |||
| Property / block text: Martin: Yes, I think Billy was very sensitive to this. To Per Biorn, it didnt seem to make any difference. Were just scanning the stations. But to Bob, somehow, he knew the noise between stations was something he wantedsomething he liked. It was an aesthetic decision as opposed to a purely technical one. When Billy was working with artists, he would try not to take anything for granted in that / rank | |||
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| Property / block text URL: https://semlab.s3.amazonaws.com/texts/107f457588c6f5c479ee20e34e158f27/386.txt / rank | |||
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386 | |||
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| Property / associated entities: Billy Klüver / rank | |||
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| Property / associated entities: Robert Rauschenberg / rank | |||
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| Property / associated entities: Per Biorn / rank | |||
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| Property / associated entities: David Tudor / rank | |||
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| Property / associated entities: Larry Owens / rank | |||
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| Property / source: Julie Martin / rank | |||
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| Property / speaker in block: Julie Martin / rank | |||
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A | |||
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Latest revision as of 16:45, 21 May 2020
No description defined
| Language | Label | Description | Also known as |
|---|---|---|---|
| English | Julie Martin Oral History Transcript Block 386 |
No description defined |
Statements
Martin: Yes, I think Billy was very sensitive to this. To Per Biorn, it didnt seem to make any difference. Were just scanning the stations. But to Bob, somehow, he knew the noise between stations was something he wantedsomething he liked. It was an aesthetic decision as opposed to a purely technical one. When Billy was working with artists, he would try not to take anything for granted in that
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386
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A
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