Julie Martin Oral History Transcript Block 414 (Q20291): Difference between revisions
Jump to navigation
Jump to search
(Created claim: associated entities (P21): Black Mountain College (Q19182), Batch load by XXXXX to do XXXXX) |
(Created claim: legacy Linked Jazz block type (P18): A, Batch load by XXXXX to do XXXXX) |
||
(2 intermediate revisions by the same user not shown) | |||
Property / source | |||
Property / source: Julie Martin / rank | |||
Normal rank | |||
Property / speaker in block | |||
Property / speaker in block: Julie Martin / rank | |||
Normal rank | |||
Property / legacy Linked Jazz block type | |||
A | |||
Property / legacy Linked Jazz block type: A / rank | |||
Normal rank |
Latest revision as of 16:46, 21 May 2020
No description defined
Language | Label | Description | Also known as |
---|---|---|---|
English | Julie Martin Oral History Transcript Block 414 |
No description defined |
Statements
Martin: Number one, theres not that big ofwell, there was, between, say, dancers and artists. I mean, artists had made sets for dancers. That kind of collaborating on a projectthe project of the dance. Bob says he was forced into being a choreographer only because of the mistake on the announcementhe asked first Per Olof Ultvedt, who was a Swedish sculptor visiting New York, and then Alex Hay
0 references
414
0 references
A
0 references