Julie Martin Oral History Transcript Block 438 (Q20316): Difference between revisions
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Martin: No. No. But someone like Per Biorn loved working with artists every chance he got. Later in the eighties and nineties, he was instrumental in renovating Rauschenbergs pieces that incorporated technology, Dry Cell [1963], Oracle, Soundings. He worked with Bob R. and worked with other artists but his life was in engineering and his engineering job. You really didnt have to understand the | |||
| Property / block text: Martin: No. No. But someone like Per Biorn loved working with artists every chance he got. Later in the eighties and nineties, he was instrumental in renovating Rauschenbergs pieces that incorporated technology, Dry Cell [1963], Oracle, Soundings. He worked with Bob R. and worked with other artists but his life was in engineering and his engineering job. You really didnt have to understand the / rank | |||
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438 | |||
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| Property / associated entities: Robert Rauschenberg / rank | |||
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| Property / associated entities: Per Biorn / rank | |||
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| Property / associated entities: Experiments in Art and Technology / rank | |||
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| Property / source: Julie Martin / rank | |||
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Latest revision as of 16:47, 21 May 2020
No description defined
| Language | Label | Description | Also known as |
|---|---|---|---|
| English | Julie Martin Oral History Transcript Block 438 |
No description defined |
Statements
Martin: No. No. But someone like Per Biorn loved working with artists every chance he got. Later in the eighties and nineties, he was instrumental in renovating Rauschenbergs pieces that incorporated technology, Dry Cell [1963], Oracle, Soundings. He worked with Bob R. and worked with other artists but his life was in engineering and his engineering job. You really didnt have to understand the
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438
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A
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