Julie Martin Oral History Transcript Block 438 (Q20316): Difference between revisions
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(Created claim: parent document (P24): Julie Martin Oral History Transcript (Q19868), Batch load by XXXXX to do XXXXX) |
(Created claim: legacy Linked Jazz block type (P18): A, Batch load by XXXXX to do XXXXX) |
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Martin: No. No. But someone like Per Biorn loved working with artists every chance he got. Later in the eighties and nineties, he was instrumental in renovating Rauschenbergs pieces that incorporated technology, Dry Cell [1963], Oracle, Soundings. He worked with Bob R. and worked with other artists but his life was in engineering and his engineering job. You really didnt have to understand the | |||
| Property / block text: Martin: No. No. But someone like Per Biorn loved working with artists every chance he got. Later in the eighties and nineties, he was instrumental in renovating Rauschenbergs pieces that incorporated technology, Dry Cell [1963], Oracle, Soundings. He worked with Bob R. and worked with other artists but his life was in engineering and his engineering job. You really didnt have to understand the / rank | |||
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438 | |||
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| Property / associated entities: Robert Rauschenberg / rank | |||
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| Property / associated entities: Per Biorn / rank | |||
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| Property / source: Julie Martin / rank | |||
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Latest revision as of 16:47, 21 May 2020
No description defined
| Language | Label | Description | Also known as |
|---|---|---|---|
| English | Julie Martin Oral History Transcript Block 438 |
No description defined |
Statements
Martin: No. No. But someone like Per Biorn loved working with artists every chance he got. Later in the eighties and nineties, he was instrumental in renovating Rauschenbergs pieces that incorporated technology, Dry Cell [1963], Oracle, Soundings. He worked with Bob R. and worked with other artists but his life was in engineering and his engineering job. You really didnt have to understand the
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438
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A
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