Julie Martin Oral History Transcript Block 546 (Q20422): Difference between revisions
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| Property / parent document: Julie Martin Oral History Transcript / rank | |||
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Martin: In a sense, yes, I think so. Not realizingsince they were in the kind of downtown scenenot realizing that this was something that Broadway could actually use or would be interested in. And then Billy worked with John Cage and Merce Cunningham on Variations V [1965], which was to place electric eyes on stage, aimed at lights offstage. When the dancers broke the beam, a sound was triggere | |||
| Property / block text: Martin: In a sense, yes, I think so. Not realizingsince they were in the kind of downtown scenenot realizing that this was something that Broadway could actually use or would be interested in. And then Billy worked with John Cage and Merce Cunningham on Variations V [1965], which was to place electric eyes on stage, aimed at lights offstage. When the dancers broke the beam, a sound was triggere / rank | |||
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| Property / block text URL: https://semlab.s3.amazonaws.com/texts/107f457588c6f5c479ee20e34e158f27/546.txt / rank | |||
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546 | |||
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| Property / associated entities: Billy Klüver / rank | |||
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| Property / associated entities: Robert Rauschenberg / rank | |||
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| Property / associated entities: Merce Cunningham / rank | |||
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| Property / associated entities: John Cage / rank | |||
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| Property / associated entities: Bell Labs / rank | |||
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| Property / associated entities: Thomson-Houston Electric Company / rank | |||
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| Property / associated entities: Variations V / rank | |||
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| Property / source: Julie Martin / rank | |||
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| Property / speaker in block: Julie Martin / rank | |||
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A | |||
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Latest revision as of 16:51, 21 May 2020
No description defined
| Language | Label | Description | Also known as |
|---|---|---|---|
| English | Julie Martin Oral History Transcript Block 546 |
No description defined |
Statements
Martin: In a sense, yes, I think so. Not realizingsince they were in the kind of downtown scenenot realizing that this was something that Broadway could actually use or would be interested in. And then Billy worked with John Cage and Merce Cunningham on Variations V [1965], which was to place electric eyes on stage, aimed at lights offstage. When the dancers broke the beam, a sound was triggere
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546
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A
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