Julie Martin Oral History Transcript Block 590 (Q20460): Difference between revisions
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Martin: They went, Well, we can change it later. But of course, you never change it. So it did start before the 9 Evenings but I think it was very much around the 9 Evenings. The people that pushed it were Billy and Bob. Bob Whitman was very active. And Fred Waldhauer, who was one of the engineers who really got it, so to speak. I mean, he had been very involved with jazz and had worked with so | |||
| Property / block text: Martin: They went, Well, we can change it later. But of course, you never change it. So it did start before the 9 Evenings but I think it was very much around the 9 Evenings. The people that pushed it were Billy and Bob. Bob Whitman was very active. And Fred Waldhauer, who was one of the engineers who really got it, so to speak. I mean, he had been very involved with jazz and had worked with so / rank | |||
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| Property / block text URL: https://semlab.s3.amazonaws.com/texts/107f457588c6f5c479ee20e34e158f27/590.txt / rank | |||
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590 | |||
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| Property / associated entities: Billy Klüver / rank | |||
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| Property / associated entities: Robert Whitman / rank | |||
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| Property / associated entities: Fred D. Waldhauer / rank | |||
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| Property / associated entities: 9 Evenings: Theatre and Engineering / rank | |||
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| Property / source: Julie Martin / rank | |||
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| Property / speaker in block: Julie Martin / rank | |||
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A | |||
| Property / legacy Linked Jazz block type: A / rank | |||
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Latest revision as of 16:53, 21 May 2020
No description defined
| Language | Label | Description | Also known as |
|---|---|---|---|
| English | Julie Martin Oral History Transcript Block 590 |
No description defined |
Statements
Martin: They went, Well, we can change it later. But of course, you never change it. So it did start before the 9 Evenings but I think it was very much around the 9 Evenings. The people that pushed it were Billy and Bob. Bob Whitman was very active. And Fred Waldhauer, who was one of the engineers who really got it, so to speak. I mean, he had been very involved with jazz and had worked with so
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590
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A
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