Louie Bellson Smithsonian Interview Block 682 (Q11478): Difference between revisions
Jump to navigation
Jump to search
(Created claim: part of project (P11): Linked Jazz Oral History Network (Q21217), #quickstatements; #temporary_batch_1613683096561) |
(Removed claim: speaker in block (P23): Ken Kimery (Q2022), #quickstatements; #temporary_batch_1723484460596) |
||
| (One intermediate revision by one other user not shown) | |||
| Property / part of project | |||
| Property / part of project: Linked Jazz Project / rank | |||
| Property / speaker in block | |||
| Property / speaker in block: Ken Kimery / rank | |||
Latest revision as of 17:42, 12 August 2024
No description defined
| Language | Label | Description | Also known as |
|---|---|---|---|
| English | Louie Bellson Smithsonian Interview Block 682 |
No description defined |
Statements
682
0 references
Q
0 references
We're all drummers in this room, and when we look back at what happened in the '60s, the development of jazz is pretty much shaped by what Tony Williams and Elvin Jones did at that time.
0 references