Danny Barker Smithsonian Interview Block 377 (Q13943): Difference between revisions
Jump to navigation
Jump to search
(Created claim: part of project (P11): Linked Jazz Oral History Network (Q21217), #quickstatements; #temporary_batch_1613684579311) |
(Removed claim: part of project (P11): Linked Jazz Project (Q2), #quickstatements; #temporary_batch_1684809872108) |
||
| Property / part of project | |||
| Property / part of project: Linked Jazz Project / rank | |||
Latest revision as of 02:48, 23 May 2023
No description defined
| Language | Label | Description | Also known as |
|---|---|---|---|
| English | Danny Barker Smithsonian Interview Block 377 |
No description defined |
Statements
377
0 references
A
0 references
That's right, because they was . . . You see, people began to dance to a subtle sort of thing, not a blasting thing, but a bouncing. A heartbeat in the music. That's what King Oliver had in his music with Baby Dodds and Bill Johnson. They had that old New Orleans funky sound. So that's what you got. Later on, that's what musicians all over the country tried to imitate, tried to get that sound. ...
0 references