Toshiko Akiyoshi Smithsonian Interview Block 74 (Q18027): Difference between revisions
Jump to navigation
Jump to search
(Created claim: part of project (P11): Linked Jazz Oral History Network (Q21217), #quickstatements; #temporary_batch_1613686833952) |
(Removed claim: part of project (P11): Linked Jazz Project (Q2), #quickstatements; #temporary_batch_1684957231541) |
||
| Property / part of project | |||
| Property / part of project: Linked Jazz Project / rank | |||
Latest revision as of 19:44, 24 May 2023
No description defined
| Language | Label | Description | Also known as |
|---|---|---|---|
| English | Toshiko Akiyoshi Smithsonian Interview Block 74 |
No description defined |
Statements
74
0 references
A
0 references
No, first, (I) started like everybody else. You start from (Gabriel) Baille and Carl) Czerny 30 (New Studies in Technique), 40 (Daily Exercises). About 40, then you went to other things, then the same time you do (a) sonatina. By the time it was Yang- sensei it was sonatas. But, like every other, studying piano, there was a normal procedure. Its not like today, people do some other different w ...
0 references