Toshiko Akiyoshi Smithsonian Interview Block 652 (Q18605): Difference between revisions
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(Created claim: part of project (P11): Linked Jazz Oral History Network (Q21217), #quickstatements; #temporary_batch_1613686833952) |
(Removed claim: part of project (P11): Linked Jazz Project (Q2), #quickstatements; #temporary_batch_1684957231541) |
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Latest revision as of 19:49, 24 May 2023
No description defined
| Language | Label | Description | Also known as |
|---|---|---|---|
| English | Toshiko Akiyoshi Smithsonian Interview Block 652 |
No description defined |
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Yugoslavia. So things like that had a lot to do with it. But also his music, you know, he was ... more, becoming more, more and more like a universal (?? ), so on. I realized my thinking was so shallow, and so.... He really um ... highly ... thought of me as, some of the music that I have, like "Kogun," for example, or "Minamata".... You know, he actually used "Kogun" as material, teaching mat ...
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