Julie Martin Oral History Transcript Block 546 (Q20422): Difference between revisions
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(Created claim: part of project (P11): E.A.T. Knowledge Graph Project (Q19104), Batch load by XXXXX to do XXXXX) |
(Created claim: block text (P19): Martin: In a sense, yes, I think so. Not realizingsince they were in the kind of downtown scenenot realizing that this was something that Broadway could actually use or would be interested in. And then Billy worked with John Cage and Merce Cunningham on Variations V [1965], which was to place electric eyes on stage, aimed at lights offstage. When the dancers broke the beam, a sound was triggere, Batch load by XXXXX to do XXXXX) |
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Martin: In a sense, yes, I think so. Not realizingsince they were in the kind of downtown scenenot realizing that this was something that Broadway could actually use or would be interested in. And then Billy worked with John Cage and Merce Cunningham on Variations V [1965], which was to place electric eyes on stage, aimed at lights offstage. When the dancers broke the beam, a sound was triggere | |||
| Property / block text: Martin: In a sense, yes, I think so. Not realizingsince they were in the kind of downtown scenenot realizing that this was something that Broadway could actually use or would be interested in. And then Billy worked with John Cage and Merce Cunningham on Variations V [1965], which was to place electric eyes on stage, aimed at lights offstage. When the dancers broke the beam, a sound was triggere / rank | |||
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Revision as of 16:51, 21 May 2020
No description defined
| Language | Label | Description | Also known as |
|---|---|---|---|
| English | Julie Martin Oral History Transcript Block 546 |
No description defined |
Statements
Martin: In a sense, yes, I think so. Not realizingsince they were in the kind of downtown scenenot realizing that this was something that Broadway could actually use or would be interested in. And then Billy worked with John Cage and Merce Cunningham on Variations V [1965], which was to place electric eyes on stage, aimed at lights offstage. When the dancers broke the beam, a sound was triggere
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