Toshiko Akiyoshi Smithsonian Interview Block 706 (Q18659): Difference between revisions
Jump to navigation
Jump to search
(Created claim: part of project (P11): Linked Jazz Oral History Network (Q21217), #quickstatements; #temporary_batch_1613686833952) |
(Removed claim: part of project (P11): Linked Jazz Project (Q2), #quickstatements; #temporary_batch_1684957231541) |
||
| Property / part of project | |||
| Property / part of project: Linked Jazz Project / rank | |||
Latest revision as of 19:49, 24 May 2023
No description defined
| Language | Label | Description | Also known as |
|---|---|---|---|
| English | Toshiko Akiyoshi Smithsonian Interview Block 706 |
No description defined |
Statements
706
0 references
A
0 references
I think I did (to) some degree, yes, I do. I have--as far as music is concerned--I have close to 100 pieces of composition. And uh, the most important, to me, I think, probably the important music compositions would be ... they all have Japanese kind of ... herita--Japanese culture is weaved in. And also one is Hiroshima: Rising from the Abyss (2001), that one has a Korean flute player (Won Ja ...
0 references