Mary Lou Williams Rutgers Interview Block 28 (Q12216): Difference between revisions
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(Created claim: part of project (P11): Linked Jazz Oral History Network (Q21217), #quickstatements; #temporary_batch_1613683718000) |
(Removed claim: part of project (P11): Linked Jazz Project (Q2), #quickstatements; #temporary_batch_1684961947214) |
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Latest revision as of 20:59, 24 May 2023
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| Language | Label | Description | Also known as |
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| English | Mary Lou Williams Rutgers Interview Block 28 |
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28
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Well, because everything's on paper and you don't get any more sounds or anything. I think it's best, especially in jazz, for a musician to learn to feel everything and teach himself. If he's going to play the classics - like one summer I went to a teacher for about 2 weeks and I knew what to do, you see, but there's a danger in losing the feeling in jazz because It's a self-taught music and s ...
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