P1441 9 Evenings Preparations (Q22719): Difference between revisions
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(Changed claim: file URL (P200): https://www.rauschenbergfoundation.org/sites/default/files/2024-03/P1441_00.jpeg) |
(Created claim: citation or reference (P147): Lucinda Childs gives final directives to Per Biorn (far right), the engineer who built the ground effect machine under discussion... Also pictured: Alphonse Schilling (left) and Alex Hay (second from right), 1966. Photo: Unattributed.) |
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Property / citation or reference | |||
Lucinda Childs gives final directives to Per Biorn (far right), the engineer who built the ground effect machine under discussion... Also pictured: Alphonse Schilling (left) and Alex Hay (second from right), 1966. Photo: Unattributed. | |||
Property / citation or reference: Lucinda Childs gives final directives to Per Biorn (far right), the engineer who built the ground effect machine under discussion... Also pictured: Alphonse Schilling (left) and Alex Hay (second from right), 1966. Photo: Unattributed. / rank | |||
Normal rank |
Revision as of 23:10, 4 November 2024
Photograph in Photograph Collection (Robert Rauschenberg Foundation Archives, New York)
Language | Label | Description | Also known as |
---|---|---|---|
English | P1441 9 Evenings Preparations |
Photograph in Photograph Collection (Robert Rauschenberg Foundation Archives, New York) |
Statements
9 Evenings Preparations (English)
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September 1966
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Photo: Unattributed
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Lucinda Childs gives final directives to Per Biorn (far right), the engineer who built the ground effect machine under discussion. It permits a dancer literally to float on a cushion of air with no physical exertion and is one of the few pieces of technical equipment which will be visible to audicences of 9 Evenings. Also pictured: Alphonse Schilling (left) and Alex Hay (second from right)
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P1441
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Lucinda Childs gives final directives to Per Biorn (far right), the engineer who built the ground effect machine under discussion... Also pictured: Alphonse Schilling (left) and Alex Hay (second from right), 1966. Photo: Unattributed.
0 references