Louie Bellson Smithsonian Interview Block 494 (Q11290): Difference between revisions
Jump to navigation
Jump to search
(Created a new Item: person load) |
(Created claim: part of project (P11): Linked Jazz Oral History Network (Q21217), #quickstatements; #temporary_batch_1613681557634) |
||
Property / part of project | |||
Property / part of project: Linked Jazz Oral History Network / rank | |||
Normal rank |
Revision as of 20:59, 18 February 2021
No description defined
Language | Label | Description | Also known as |
---|---|---|---|
English | Louie Bellson Smithsonian Interview Block 494 |
No description defined |
Statements
494
0 references
A
0 references
Yeah. He had a name for everybody. He wrote for individual players. That way they kept a good span for - never wrote anything too high for Ray Nance. All the high notes are done by Cat Anderson. So it is personalized. I learned to do that. It saves a lot. I still do that today. In fact I'm getting a score sent in from L.A., a thing called Opus No.6. I'll been rehearsing with a band Monday. Tha ...
0 references