Toshiko Akiyoshi Smithsonian Interview Block 785 (Q18738): Difference between revisions
Jump to navigation
Jump to search
(Created claim: part of project (P11): Linked Jazz Oral History Network (Q21217), #quickstatements; #temporary_batch_1613686833952) |
(Removed claim: part of project (P11): Linked Jazz Project (Q2), #quickstatements; #temporary_batch_1684957231541) |
||
| Property / part of project | |||
| Property / part of project: Linked Jazz Project / rank | |||
Latest revision as of 19:50, 24 May 2023
No description defined
| Language | Label | Description | Also known as |
|---|---|---|---|
| English | Toshiko Akiyoshi Smithsonian Interview Block 785 |
No description defined |
Statements
785
0 references
Q
0 references
Oh. Anyway, hes a classical composer, uh, African American, and he worked with Eric Dolphy; he also worked with Mingus. But, he said, yeah, well, Gil Evans, you can trace the direct influence back to a European classical composition, just like the Aranjuez, you know, the Concierto, certain things like that, theres already a European precedent, he just kind of recasts it in a jazz language. So ...
0 references